Goldie's Blog

Winning Literary Prizes.

Helen Garner gave a terrific speech at the Stella Awards lamenting the consequences of awarding prizes to some books and not to others. She talks of the difficulties committees have in trying to arrive at consensus.

Publishing is a business, and when a book wins a major prize it sells in alarming proportions while other books that might be are just as good die a quiet death. So in the end it is all about economics.

I have formulated the idea that LONG books tend to win, as if the more the writer creates the better it is. Can I coin a new term, ‘the pinch test’ for novels? Surely less is usually best. The hardest things to write are haiku and children’s story picture books. All has to be said in so few words. Thank goodness the novella is coming  back into its own.

It is too often assumed that children’s books must be easier to write because they are shorter. Can I suggest that any book written for kids that spends too long on description and analysis without a good narrative flow will usually lose readers? If only the same could be said for many novels written for adults. I have been bored witless by too many recent books that have won major prizes. In the main they are repetitive, overly drawn out, and if they are historical fiction, too much research is on display.

What about placing overweight books on a diet? Limit the number of pages and words.  Force the writer to read it with a stranger’s eyes, a stranger that only has a limited amount of time.

My advice to emerging authors, for what it’s worth, is PRUNE!

 

 

“eSide: A Journey Through Cyberspace”

 

I am thrilled that my latest book for young readers has had its final proof completed. Though Samantha( Sam) and Melody travel through cyberspace, in a way this is an old fashioned  fantasy in that it contains a horrid witch, a clever magician,  a magic Good-Luck Conch, and some strange lands where the laws of physics can be overturned.

In case dear reader, I have made you curious, this is what it’s about:

“Sam and her single mother Kate live in the rear of the Conch Café, close to Sam’s best friend Melody and her dog, Billy. The building is owned by greedy witch Hecate Badminton who will do anything to own the café’s Good-Luck-Conch. After Hecate steals the shell and the café burns down, the girls have a series of remarkable adventures inside ‘eSide’. Because digital graphics create unique scenarios, the girls travel to dangerous places and overcome some of their worst fears before they can recover their conch and go home.”

Though I am mostly known for my historical fiction, this book is dear to my heart as it contains  messages about not allowing oneself to be bullied and how tyrants can be overcome.  My other enjoyment is that I was able in so few pages to say all this without overpowering the reader with too many words. I call it the ‘pinch test’ as I am becoming tired of books that win prizes but in my opinion need pruning.

If anyone would like to buy ‘eSide’,  please contact www.fivesenses.com.au

or any bookstore that features books for middle school kids.

 

 

 

 

INTERVIEW by Brian Feinblum Chief Marketing Officer of MEDIA CONNECT

1.      Can you tell me a bit about your inspirations and what drew you to writing in the first place? In one word: reading. I learnt to read when I was three and I have never stopped. Books take me far away from my present reality, and take me to other worlds. When life is tough- as it was this year after a major accident which left me disabled for months- they proved my salvation. I bought a Kindle and downloaded over a 200 books. As for what inspires me: what I read, what I see, what I hear. I am one of those strange people who actually enjoys listening to people talking on their mobiles. In a word, the world around me is my inspiration.

 

2. Is having a book published exclusively as an ebook a different experience to having a book in print? Do you prefer reading either format? Do you think the print book is on the way out?  I adore my Kindle. Without it I would have spent most of 2012 going quite mad. Ultimately what format a book appears isn’t all that relevant. What matters are the words, the characters and the narrative drive. I think hardcopy might gradually disappear. What will remain are story picture books for little readers, and maybe elegant coffee table books. Of course this is a time of transition and who can predict the future with any accuracy? The monks who illustrated all those wonderful bibles must have felt the same way when they first caught sight of a printing press. ‘Never catch on,’ they must have told each other. Same as when Penguin decided to produce soft covers. Enough said.

 

3. What tips do you have for other writers?  I have a blog where I post lots of tips, both for very beginning writers, and those that are trying to promote their work. Social networking is important, so I recommend using facebook, tweeting, and logging into other blogs. Promoting on You Tube is useful though I have to confess I’m technologically too stupid to do this. My major piece of advice is to never give up. A book may be rejected many times before it takes off. Sometimes it can take many years, and of course this has happened to me many, many times. After I lick my wounds at yet another rejection, I remind myself that it might be the wrong time, the wrong publisher, and probably needs another draft. Now the book revolution is on us, perhaps it’s useful to think of self publishing. But be warned: too many self published books are badly edited or frankly, need more work.

 

4.. Your latest YA novel ‘Dessi’s Romance’ features Schoolies celebrations. Why did you choose to write about Schoolies? Did you do any specific research? And what do you think of the Schoolies culture?  I am much too old to attend Schoolies Week but have read a lot about it and talked to youngsters who went. Schoolies Week is a rite-of-passage for youngsters: the child turning into an adult. It seemed an ideal setting for these young women and men to question the adherence to their friendship and their search for identity. Apropos the ‘culture’ of Schoolies Week, we read and see a lot on the media about the negatives. but I think this is an ideal way for youngsters to celebrate without parents or supervisors. They have to learn what is and what isn’t appropriate. Some seem to find this hard and that’s when the media latches onto an unfortunate incident. In ‘Dessi’s Romance’, Dessi and Emma, who have been as close as sisters since they were babies, have to sort out their feelings for each other when a new man comes between them.


5. What is the most important thing to remember when starting a new work?
  In my opinion, a character must become a living breathing person easily recognizable. I always recommend writers create a character profile to start with. Once your character is living at a specific time and you know his/her likes dislikes/conflicts/ family etc. you already have half your plot. I can’t emphasize this enough. In ‘eSide’, a contemporary fantasy for 9 to 12Year olds my major evil character is the witch Hecate, and hopefully, she is as scary as any horror movie.


6. What other advice can you give beginner writers?
 Perseverance is what counts. It’s said that inspiration is only 10% and hard work 90% . I am often approached by people who tell me they ‘have a book in them’ as if I can give a magic tip. Wish I could.

 


warnings to other authors

Roaming through my website I came across the following warnings for authors. I’m not sure if I originally wrote them, or found them elsewhere. Whatever… I think they are relevant.

   1.  Never write ‘too close to home’ or family and friends
may be upset, disown or sue.
2.  Keep your author photo within 5 years of your real face and shape.

3.  Murphy’s Lore- the cost of Bank exchange fees to convert from foreign  sales may exceed your income from obscure currencies with lots of zeros.

4.  Readers often assume fiction is autobiography, especially the sexual parts.

5.  Ex-lovers consider their love life private.

6.  Use different signatures for autograph and credit cards to avoid being  scammed.

7.  A ‘thesis’ does not a book make.

8.  Beware of pirates, of the on-line intellectual property kind. IP can also  mean International Piracy.

9.   ‘Prolific’ is a put-down. If you use a pseudonym, remember it.

10. Back up! Your computer will crash on deadline and the technician
will earn more in 15 minutes than your entire royalty period.

11. Be wary of flattery! What have you written? Anything I might have read?
Are you famous? Or – I loved your book. I got it for 10 cents from the  op-shop.

Despite these warnings, the creative health of most authors is enriched by the  imaginative satisfaction of their work. Retirement is only an option when your brain goes’funny. Or you are dead!
 

#NEVER GIVE UP

I have been writing for kids for over two decades. In that time I have had periods of flood and drought, feast and famine. There were wonderful years when everything I wrote was picked up immediately. Others, when it took more than a decade to find a publisher for a particular ‘orphan’.

This meant I had to ask myself if I had sent out that ms out at the wrong time, or to the wrong place, or in the wrong format? Perhaps the market wasn’t ready for it.  Sometimes, on rereading, I realised that the ms needed more work, and then I would rewrite and resubmit. I certainly kept redrafting until that ms was finally sold. The synopsis and opening pages were vital. If I couldn’t attract a submissions editor, I was in trouble. Sometimes changing a title, or even cannibalizing the ms, could prove fruitful. Thus several lengthy stories were condensed to join my three short story collections. I never sent out an ms without first checking if it needed cutting, fleshing out, or more on line editing.

These days with so many publishers either combining or going under, it would seem as if we have returned to a time of famine. Except for the ebook. So an agent might more willing to pick up an ms and a publisher happier so if s/he knows that s/he won’t have the added expense of printing, paper and storage. The ebook also allows the creator to bypass the agent and publisher completely. However, the question still remains; how to market this work? Once this was done by professionals. These days it is up to us. And what’s more, we have to do this without spending lots of money on a professional marketer.

My primary technique is through my website. I regard this as my ‘shopwindow’ and of greatest importance. As it has been updated by a young webmaster into a completely new design, I feel he knows what will appeal to other young people. Other creators have helped promote my latest YA novel as many have blogs and seem happy to interview me, particularly as I make it easy by always emailing a list of questions and answers they only have to ‘cut and paste’. I write articles for the better ezines which keeps my brand, AKA my name, in the public eye, and I feature other writers on my blog.

Dumb Bunny 2

I have decided that I am reallydumb. All day I had been trying to log into GOOD READS to update my profile, add covers to books that don’t have them and talk about some of my recent reads. I still haven’t succeeded

Am I the only author who finds writing a full length novel easier than tackling other people/ company’websites?

Who creates them? I have just completed ‘The Rosie Project’ ( highly recommended as very funny light reading about a serious topic) and wanted to say something about it.  After trying in vain to upload my profile, I decided that much like the character Don in this novel, the site had also been constructed by someone with severely autistic.

So much for that!

A couple of other books I strongly recommend though far more serious stylistically, are Scott Gardner’s YA novel  ’The Dead I  know’; and the adult  Wallace Stegnar’s  ’Crossing to Safety’, a wonderful meditation on friendship and ageing, plus every other book on the reading list for my adult book club. A quarter way through the year, I seem to have read everything on it through the wonder of owning a Kindle- everything except ”Merival: a Man of his Time”  by Rose Tremain. But as I have also read a number of her other novels, I’ll get to it eventually.

What was lovely was receiving a number of emails about the craft of fictionalizing history from young readers and would be authors.

I keep hoping that my latest YA offereing,’ Dessi’s Romance’ also about friendship is being read. In case I haven’t mentioned it often enough???the Amazon site is filed under Children and Romance.

Also “eSIDE: a Contemporary Fantasy” should be out very soon. This novel is aimed at upper primary school readers. I am looking forward to seeing the final copy very much indeed.

 

 

An Interview with Tania McCartney

                

 

 

 

Tell us something hardly anyone knows about you. 
I’ve moved house over 60 times and have lived in four different countries.

What is your nickname? 
Tan. And I really love it! (Pity I don’t have a nice tan to go with it.)

What is your greatest fear? 
I don’t have many fears at all. Maybe the rapid evaporation of time?

Describe your writing style in ten words. 
I strive for an original, quirky, unique voice that inspires.

Tell us five positive words that describe you as a writer.
Dedicated, diverse, original, multi-tasking, kid-centered.

What book character would you be, and why? 
Too many to choose from! Right now, I wish I could be Eloise so I could let loose in the Plaza Hotel in New York.

If you could time travel, what year would you go to and why? 
La Belle Époque in Paris (1871 – 1914) – for the art, literature, music, theatre, beauty, fashion, glamour, scientific discovery – and the peace.

What would your ten-year-old self say to you now? 
I’m so happy you followed my dream.

Who is your greatest influence?
People: too far-reaching to mention. Things: travel, nature, photography, kids.

What/who made you start writing? 
It’s in my blood – my grandfather was a journalist and historical author – and writing is just something I’ve always done. I had my first poem published when I was 8 and from there, I never really stopped. It’s like oxygen to me.

What is your favourite word and why? 
Originality. Because like most precious and rare things, I’m obsessed with it.

If you could only read one book for the rest of your life, what would it be and why?
The Chronicles of Narnia by CS Lewis.

 Tania is an author of both adult and children’s books. Her latest titles include Australian Story: An illustrated timeline (NLA Publishing) and Riley and the Grumpy Wombat: a journey around Melbourne (Ford Street). She has three books out in 2013 – Eco Warriors to the Rescue! (NLA), An Aussie Year: twelve months in the life of Australian kids (Exisle) and Riley and the Jumpy Roo: a journey around Canberra. Check out www.taniamccartney.com for more.

Getting into “Dessi’s Romance” via your KIndle

I received this email from one of the participants in last week’s Writing Memoir class. What a lovely message to receive:

“Thank you so much Goldie for all your help over the 3 sessions we had with you. I realise that we have just skimmed the surface & there is so much more to learn. However your book & the short time I had with you has more than motivated me to keep on writing. I was too emotional on the last day to add comments on the survey form & to express my gratitude. The ladies in the Memoir group are in the  process of organising to meet on a regular basis. The 1st meeting is in early April. All this is happening because of the inspiration we got from attending your classes.”

++++++++++

My publisher at www. indrabooks.com, who is convinced that all books will eventually go on line, decided to publish my latest YA novel only as an ebook- though he intends using P.O.D. (print on demand) sometime in the future. Many of my readers and friends tell me this is too hard to access. I’m not too surprised. There’s another ‘Goldie Alexander’ on google and Amazon who happens to be a black rap singer. I don’t know why he’s called Goldie. Perhaps he wears a lot of gold? Or has gold teeth? The other drawback is that there are lots of books on Kindle that have nothing to do with me. They merely happen to have ‘Goldie’ somewhere in the title.

What I do know is how hard to it is to find a particular book when there are so many thousands on line pleading to be read. So if anyone is still interested in my latest YA novel which happens to be about friendship, and other contemporary issues, you can access it by double clicking on:

 http://www.amazon.com/Dessis-Romance-ebook/dp/B00BH78LD8/ref=sr_1_6?ie=UTF8&qid=1363314065&sr=8-6&keywords=Goldie+Alexander

Amazon has set authors some interesting challenges. It seems that if you write in a particular genre or for a particular audience you are forbidden to review a book if that book happens to fall into your area. This is intended to stop friends, who are often fellow authors, from adding their reviews. However, those readers are often the most likely to want to assess your book. We all know that reviews are often written by folk who know something about that particular genre and want to learn more. So I really don’t know why Amazon has suddenly set itself up to become the ethical watchdog of a practice that has been going on for years. Newspaper reviews usually come from experts in the same field.  As for Amazon… given that much of the reading population still prefers hard copy to ebook, it seems that unless one is famous, or writing erotica, it’s enormously difficult to get an ebook reviewed. But it’s those very same reviews that will tempt readers to buy that book.  This is one of the best Catch 22’s I have ever come across.

 

 

 

Morgen, an English author interviews me.

 

 

Morgen: Hello, Goldie. You write children’s books, was there a reason to choose this genre?

GoldieGoldie: I began writing for Young Adults after I left off teaching in secondary schools. I felt I knew the audience very well.

Morgen: What have you had published to-date? Do you write under a pseudonym?

Goldie: I began with the pseudonym Gerri Lapin, but since have published some 60 fiction and non fiction books for both kids and adults under my own name.

Morgen: What age group do you write for?

Goldie: In my 25-year career as a writer I have written for every age group except babies where the content is all illustration.

Morgen: Which authors did you read when you were younger and did they shape you as a writer?

Car CrimesGoldie: When I was young there wasn’t all that much written for young readers. There were the usual Enid Blyton stories, and in fact a few years ago I took her idea of the Famous Five and wrote 2 contemporary Aussie versions: the A~ PI  series ‘Hedgeburners’ and ‘Car-Crimes’. As a child I loved folk tales, particularly those with a magical twist and my latest novel for upper primary students ‘eSIDE’ takes a present day situation where the action is also magical. I went into adult literature when quite young and I recall adoring (sorry about this) Jane Austen and my admiration for her writing has never faded. I think I try to use some of her character perceptions in my Young Adult work such as ‘The Youngest Cameleer” –about the finding of Uluru, and my newest YA ‘Dessi’s Romance” .

Morgen: Which author(s) would you compare your writing to?

Goldie: I’d rather not! Good writing should carry the author’s own voice and imprimatur.

Morgen: Do you think it’s easier writing for children than adults?

Goldie: No, I think it is much harder. An adult might plough through something vaguely unreadable. A child will discard it immediately. The hardest to write is a good story picture book text. It has been likened to writing haiku for children.

Morgen: Do you get a second opinion on your stories before they’re published – if so from adults, children or both?

Goldie: It’s hard to get willing readers but I do my best, mostly seeking out children from the right age group.

Morgen: Do you have any tips for anyone thinking about writing for children?

Goldie: Masses! Can I recommend anyone who is interested in writing for kids to go to both my blog www.goldiealexander.com/blog for writing tips. Also, I have a book on line written by myself and Hazel Edwards: ‘The Business of Writing for Young People’ that can be accessed through Hazel’s website. That book contains all you really need to know to get started.  My major piece of advice is to read widely before even beginning to write. Explore libraries, bookshops and the net. Know your audience intimately.

Morgen: Have you self-published? If so, what lead to you going your own way?

Goldie: Yes, but never for children. I self published ‘The Grevillea Murder Mystery Trilogy’ and my ‘Mentoring Your Memoir’ that I use in my ‘mentoring’ workshops.

Morgen: Are your books available as eBooks? How involved were you in that process? Do you read eBooks or is it paper all the way?

Goldie: Many of my books are also available as ebooks and some are for children. My latest YA ’Dessi’s Romance’ is being first published as an ebook as well as eventually in POD. It came out on Amazon Kindle on the week beginning 18th February.

Morgen: Do you have a favourite of your books or characters? If any of your books were made into films, who would you have as the leading actor/s?

Goldie: The last book I have completed is always my favourite. Presently I have two characters Dessi and Emma from ‘Dessi’s Romance’ as my favourites. Of course I would want Scarlet Johanssohn and Kiera Knightly.(both too old, though perhaps they can still pretend to be 18years old)

Morgen: Did you choose the titles / covers of your books? How important do you think they are?

Goldie: Very important. I have a great respect for covers, titles and blurbs. Don’t let anyone think that a cover doesn’t sell a book. I have had a few disasters( in my opinion) in my time. My favourite title is “My Horrible Cousins” (a short story collection) as every kid has a horrible  cousin.

Morgen: What are you working on at the moment / next?

Goldie: A YA novel set in 1954 at the height of the Cold War called ‘That Stranger next Door”. It combines politics – both local and global – with a couple of teens from different religions.

Morgen: Do you manage to write every day, or ever suffer from writer’s block?

Goldie: I write most days. When I’m coping with writer’s block, I work on my own blog and blogs like this. I just keep writing….

Morgen: Do you plot your stories or do you just get an idea and run with it?

Youngest CameleerGoldie: I try to plot according to my major character and when they live… the settings. For example, in “The Youngest Cameleer”, my 13YO cameleer Ahmed, who lives in 1873  travels through unknown territory with an expedition led by William Gosse to stumble on Ayers Rock. The story was already set out by being based on fact. In ‘eSide’ (coming out next month in hardcopy) I invented a cafe, a good-luck-conch, a witch, a magician called tGF, and two 12yo girls who must cope with the conch being stolen and their subsequent adventures in eSide.

Morgen: Do you have a method for creating your characters, their names and what do you think makes them believable?

Goldie: I always write a character dossier. If you do this and include everything about them as for a thorough police check, you will have your story because then you know their likes and dislikes, and what they greatest aim and conflicts might be.

Morgen: Do you do a lot of editing or do you find that as time goes on your writing is more fully-formed?

Goldie: I do lots and lots of editing. Even when a book comes out I hate reading it, as I am sure there are places where I could ‘have done better’.

Morgen: Do you have to do much research?

Goldie: When I am writing historical fiction I do masses of research. I do anyway, because I always think of situations for my characters that might be unfamiliar. The best literature intertwines great research with excellent writing. But the two must be seamless.

Morgen: What point of view do you find most to your liking?

Goldie: It is always easiest to write in 1st person, but this has the obvious limitation of presenting one POV(Point of View) only.  I find the omniscient POV rather irritating, though lots of writers enjoy using it. I think it only works if the characters are kept separate and written about in the third person.

Morgen: Do you write any poetry, novels, non-fiction or short stories?

Goldie: Yes. I write everything. Lots of nonfiction for youngsters and I have recently completed  YA verse novel called  “In Hades”.  Most of my most recent books are up on my website.

Morgen: Do you have pieces of work that you think will never see light of day?

Goldie: Everyone does!!!! Early pieces or experiments that never worked.

Morgen: Have you had any rejections? If so, how do you deal with them?

Goldie: Never believe any ongoing writer who claims s/he has never received a rejection. We all do. Sometimes it’s the wrong time for a book, or the publisher already has one too similar, or it just doesn’t appeal to a submission editor, or even marketing has put the kybosh on it( usually because they can’t see ahead). Just grit your teeth and try not to get too upset.

Morgen: Do you enter competitions? Are there any you could recommend?

Goldie: Not really. I used to enter adult short story comps, but seldom write them now. They take too much time/energy and are rarely published.

Morgen: Do you have an agent? Do you think they’re vital to an author’s success?

Goldie: Not any more. I can’t answer if they add to success or not. It’s too individual.

Morgen: Do you do much marketing for your published works or indeed for yourself as a ‘brand’?

Goldie: Not nearly enough. I know I should market lots more, and do, but it is hard to see myself as a ‘brand’.  Maybe it’s my advanced age but I find the whole business of marketing vaguely objectionable. Perhaps if I was selling coffee or tea, I would think differently. I advise other authors to market themselves, then become stupid about it myself. However I suppose one way is to keep a blog and write for other kind people, like Morgen.

Morgen: What’s your favourite / least favourite aspect of your writing life? Has anything surprised you?

Goldie: It would have to be marketing as my least favourite. Most favourite is when a book emerges and it seems to work. That’s a real ‘high’. Sometimes I get a kind comment from an unknown reader. That always pleasantly surprises me.

Morgen: What advice would you give aspiring writers?

Goldie: Never give up! Keep on writing.

Morgen: If you could invite three people from any era to dinner, who would you choose and what would you cook (or hide the takeaway containers)?

Goldie: I would invite Margaret Mahy who wrote my favourite YA novel “The Changeover”, Lewis Carroll, for his “Alice in Wonderland” and Maurice Sendak for“Where the Wild Ones Are.”  I would cook something simple, perhaps a roast chicken with vegetables and an apple cake as I suspect none of these authors have strong digestions.

Morgen: If you had to choose a single day from your past to re-live over and over, what day would it be and why?

Goldie: The day I met my husband. And the day my first book under my own name: MAVIS ROAD MEDLEY was accepted for publication.

Morgen: Is there a word, phrase or quote you like?

Goldie: PERSEVERANCE

Morgen: Are you involved in anything else writing-related other than actual writing or marketing of your writing?

Goldie: I take lots of workshops in creative writing and I mentor young writers.

Morgen: What do you do when you’re not writing? Any hobbies or party tricks? :)

Goldie: I read a lot. Walk, cook, watch movies, knit, look after family members.  No party tricks. Any suggestions?

Morgen: Are there any writing-related websites and / or books that you find useful?

Goldie: In Australia I recommend PIO and Buzzwords (both emags for authors and illustrators) I belong to SCBWI, a worldwide organisation.

Morgen: What do you think the future holds for a writer?

Goldie: Mostly books being published as ebooks apart from coffee table expensive publications. No money to be made that way, only through being asked to participate in festivals and talks. I predict that it  will get even harder to make a living as a writer. And because so many people are placing their novels on line, it will become even more difficult to be noticed.

Morgen: Where can we find out about you and your writing?

Goldie: Please look up my website www.goldiealexander.com and my blogwww.goldiealexander.com/blog where I give lots of advice for emerging writers.

Morgen: Is there anything else you’d like to mention?

Goldie: I would love some feedback on what I have written from readers in the UK as well as Australia. If anyone is interested in some of the books on my website and would like to buy one, please email me on goldie@goldiealexander.com.

Morgen: Is there anything you’d like to ask me?

Goldie: Wow! Haven’t we covered almost everything? Joking aside, just to thank you for allowing me to participate in your blog.

I then invited Goldie to include an extract of her writing and here is the opening of “Dessi’s Romance”:

I prop my right leg onto a stool and poke a knitting needle inside the walking boot It’s early. Just after nine.  My mother, Hannah, is at work. My father, Graham, is hammering in the backyard. My brother, Jeremy, is at school. The silent TV flickers between commercials and scenes from a bloody terrorist attack. For all I care, it could be announcing the start of World War Three…

A fortnight ago all I had to worry about is which university will give me a place. But last day of school, backpacks crammed with books and files I never wanted to see again, we were halfway home when the skies opened up. Wet hair plastered across her face, my best friend, Emma, glimpsed Jon McKenna’s beat-up car and signaled him to stop.

I grabbed her arm. ‘I’m not getting in with him.’

I claim Jon should be forced to wear a sign: ‘Beware. Accident approaching.’  Besides, ever since I refused to date him anymore – and that was only because Emma talked me into it saying ‘he’s so into you, give him another go…’ he always looked hurt whenever he saw me.

So avoiding eye contact, I climbed into the rear.

Emma slid into the front passenger seat.

Jon hit the accelerator.

Maybe if I’d sat beside him, that collision might never have happened. But he kept eyeing me in his mirror instead of concentrating on the road.

He didn’t see that other car.

Swerving to avoid it, he went straight into a tree.

Emma escaped with badly bruised ribs.

Jon was mildly concussed.

But the driver’s seat slid back jamming itself onto my right leg fracturing my ankle in four places. The result was two operations, three weeks in hospital and a fortnight in a rehab inhabited by seniors having hip and knee replacements. I never got to the end-of-year parties. Never wore the silk green strapless bought specially for the Formal. And now I’m not going on holiday.

*

And a synopsis…

Dessis RomanceEnd of school is a crucial time for life -making decisions. Eighteen year old best friends Dessi Cowan, Lilbet’s grandniece, and her best friend Emma Simpson have planned a celebratory trip to the Gold Coast. Emma is an artist, Dessi a poet; their mothers long term ‘best friends’.  In the past the girls have always been there for each other and this relationship is central to their lives. However, when Emma meets charming Adbul Malouf and Dessi is forced to stay in Melbourne to recover from a car accident, Emma asks her friend to look after Abdul while she is away.On the Gold Coast Emma meets up with her father and participates in some of the Schoolies activities.  Her closest male friend Sasha, convinced he might be ‘gay’, takes her to a ‘gay’ club and then realises he is really ‘straight’.In Melbourne Dessi is totally infatuated with Abdul who takes her home twice. Though his parents are openly appalled at his taking up with a non-Moslem girl, for Dessi his ‘stop-start’ behaviour only makes him more desirable. When Emma’s mother is diagnosed with cancer, Emma cuts short her holiday only to be confronted by Dessi’s duplicity. As the story progresses both girls must spend a lot of time coming to terms with these events.

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Gallipoli Medals“Goldie Alexander writes for both adults and children of all ages. Her books are published both here and overseas. Her best known historical fiction includes ” My Australian Story: Surviving Sydney Cove”, now in its 10th edition and printed in the UK as ‘My Story: Transported”. Her latest work includes “The Youngest Cameleer” about the finding of Uluru in 1873, and the YA “Dessi’s’ Romance”. Coming shortly are “Gallipoli Medals” for junior readers and “eSide: A contemporary Fantasy” for 8 to 12Year olds. Amongst her other work are three collections of short stories for young readers, and the mystery series A~Z PI’s. She also writes scripts and non-fiction for children and fiction and non-fiction for adults.

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Encouraging Children to Read

This week I came across 2 interesting ways of encouraging children to read. The first perhaps is more about becoming computer literate at an astonishingly early age. I was introduced to a girl playing on her mother’s iPad bringing up nursery rhymes, songs and stories. The baby already knew hoe to move pages, increase volume (after the mother turned it down) and what characters she wanted to focus on. Not bad for a nineteen month old baby.

The second was I thought a splendid way of mother daughter/son bonding that would also encourage reading. Given the popularity of book clubs, a mother and her ten year old belonged to the same club where  both the child and the mother read the same book and all exchanged views when the participants got together.

I also have the cover of my latest book for readers aged 8 to 12. Called ‘eSide” it is a fantasy set very much in today’s digital world. Here it is:

 

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